The Great Movie Post – Finalé (6/6) Guilty Pleasures

November 25, 2012

This is for the movies I’ve loved that juuuust don’t seem to fit into the regular categories, and with good reason.  They’re not right.  They’re a little – off.  They got issues.  And they rock.  Feel free to list YOUR guilty pleasures in the comments.

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 Bad Santa  - 2003

Directed by Terry Zwigoff

Written by Glenn Ficarra and John Requa

Insults by BBT Inc.

A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.

Bad Santa proves one of two things, or may be both:  either Billy Bob Thornton is the greatest actor ever or he is the biggest asshole ever.  Reason being the way he talks to The Kid (Brett Kelly) throughout the movie.  Thornton says the most horrible things to the pudgy wimp who is rejected by everyone in his life.  Even the kids who bully him get tired of how easy it is.

Willie (Thornton) is a small-time crook who specializes in burglary with the help of Marcus (Tony Cox) a midget (yeah, I like the word midget, sorry) who plays a grumpy sidekick to Thornton’s Santa.  At holiday time, the get hired as department store Santa & Co. in order to case the joint in preparation for unloading the safe.  It’s a long-term process that takes patience and drinking, and meeting Sue (Lauren Graham), a slut of a bartender with a fantasy to bang Santa.  If there were ever a woman from a movie with whom I could spend a night, it’d be Sue.  No, I don’t look like Santa, but she makes you wish you did.

The problem starts when the store detective Gin (Bernie Mac) gets suspicious and learns about Bob’s rap sheet.  The problem gets worse with Bob’s drinking problem and when he meets the kid getting bullied in the mall parking lot.  After driving the kid home, Bob learns that not only is the kid’s parents rich, but they’re gone for a while, leaving easy pickings for Bob who has to do little more than charm the incoherent grandmother played by Cloris Leachman.  Bob gets slightly, very slightly attached to the kid as he learns more about his sad existence while getting ready for safe-cracking night at the department store.

Get the unrated version with nastier, dirtier language, especially when Bob is overheard with a female friend in the dressing room by the shocked and confused store manager John Ritter.

Favorite scene – when Santa shows up drunk as kids are waiting to sit on his gross lap.

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Wild Things – 1998

Directed byJohn McNaughton

Written by Stephen Peters

Champagne by Les Bians

A high school guidance counselor is framed for raping two of his students…or is he?

It’s a thriller, but a goofy, campy one.  It’s an erotic thriller, but it’s just cheap skin flashes and gratuitous girl-on-girl moments.  It’s a web of twists, but – it really is.  And if you take away Denise Richards in a wet, white t-shirt and white shorts, if you take away the sleazy guidance counselor who ends up in a threesome with two female students, and if you take away the comic relief of Bill Murray, you really have a tight plot and a who-dun-it that isn’t over until the last of the credits has rolled.

Kelly is the rich, snobby high school girl.  Suzie is the trashy slut.  They hate each other, but only when you’re looking.  When you’re not, they’re involved in an elaborate scheme to get millions of dollars, fake a death, and disappear.  One or both of them was raped, allegedly, by Sam Lombardo (Matt Dillon), the guidance counselor at school who is being investigated by his friend, Detective Ray Duquette (Kevin Bacon).

Yeah, there are lots of things that wouldn’t really happen, but just go with it.  There are crosses and double crosses galore, and even when you think you know what really happened and the credits are rolling, pay attention because there are a few extra scenes interspersed right to the very end that bring curveballs enough to totally change what you thought you knew.

Favorite scene:  when Denise Richards washes the car.

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1941 – 1979

Directed by Stephen Spielberg

Written by Robert Zemeckis and Bob Gale

Compass by Cracker Jacks

Hysterical Californians prepare for a Japanese invasion in the days after Pearl Harbor.

First, let’s list the actors starring, supporting, or just appearing in brief scenes in order as presented by IMDB:  Dan Akroyd, Warren Beatty, Lorraine Gray, Murray Hamilton, Christopher Lee, Tim Matheson, Robert Stack, Treat Williams, Nancy Allen, John Candy, Eddie Deenzen, Patti LuPone, Slim Pickens, Joe Flaherty, Michael McKean, Mickey Rourke, James Caan, Penny Marshall, and more.  You won’t know all their names, but you will know their faces and/or voices, especially Deenzen, mostly remembered as “Eugene” from Grease.

In the understandable paranoia that set in after the bombing of Pearl Harbor, citizens and second-rate military outfits along the west coast are watching the skies and seas in fear of another attack.  It’s a slapstick party of zoot suiters versus tough soldiers as everyone wants to meet a girl before being sent off to war.  And then there’s Wild Bill Kelso (John Belushi) and a rogue pilot in a P40 Mustang strafing Hollywood looking for the Japanese.  To describe it would only lessen any excitement you already don’t have, but give it a try.  Slim Pickens plays, well, most any other Slim Pickens character ever as he’s captured by the Japanese who can’t find Hollywood.

The film was an early warning to Spielberg fans that he had two obsessions:  airplanes and American at war.  His aerial obsession returns in later films like Always and Empire of the Sun.

Favorite scene:  getting the compass.

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Used Cars  1980

Directed by Robert Zemeckis

Written by Robert Zemeckis and Bob Gale

Paint by Yellow Cab Co.

When the owner of a struggling used car lot is killed, it’s up to the lot’s hot-shot salesman to save the property from falling into the hands of the owner’s ruthless brother and used-car rival.

After marginal success with 1941, the team of Zemeckis and Gale said, “We got this,” and too their zaniness to the used car lot.  As much as you already hate car salesmen, these are worse.  Rudy Russo (Kurt Russell) is a shyster with political ambitions, which makes total sense.  If he can sell enough cars, he’ll have enough for his campaign for state senate.  Problem:  Luke and Roy Fuchs (both by Jack Warden) have competing used car lots.  Rudy works for nice guy Luke, who lends Roy money for the campaign.  When Luke dies of a stroke, conniving brother Roy wants to take ownership of his brother’s lot, but he can’t until he can prove that Luke is dead.

Yeah, it sounds stupid, and it is, but it’s a full-farce laugh riot with inappropriate jokes, black humor, and some fabulous schemes by a team of hi-tech guerillas (Michael McKean and David Lander – aka Lenny and Squiggy) who help steal business from Roy’s car lot, right across the street.  Things get sticky when Luke’s daughter Barbara (Deborah Harmon) shows up looking for her father.  Just buckle up and go along for the ride (did I really write that?), especially when Jeff the salesman (Garrit Graham) and Jim the mechanic (Frank MacRae) are on screen.

Favorite scene – interrupting President Carter’s state of the union address.

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The Kentucky Fried Movie – 1977

Directed by John Landis

Written by David and Jerry Zucker, Jim Abrahams

Boobs by various artists

Imagine you had a chance to make a bunch of raunchy, politically incorrect, borderline racist, definitely sexist, funny as hell skits and assemble them into a feature film and have John Landis (Animal House, American Werewolf in London) direct.  These were the minds that would eventually create a string of hits like Airplane! Police Squad and Animal House.  Skits with titles like “United Appear for the Dead,” “Danger Seekers,” “Cleopatra Schwart,” “Big Jim Slade,” “A Fist Full of Yen,” “The Wonderful World of Sex,” “That’s Armageddon,” and my favorite “Catholic High School Girls in Trouble.”

Don’t try to make sense of it.  Just lock up the kids, get a case of beer, and enjoy.

Favorite scene – the glass shower door.

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Horse Feathers – 1932

Directed by Norman Z. McLeod

Written by Bert Kalmar and Harry Ruby

Passwords by Swordfish

Quincy Adams Wagstaff, the new president of Huxley U, hires bumblers Baravelli and Pinky to help his school win the big football game against rival Darwin U.

Vaudeville, football, and gambling collide when the Marx Brothers hit a college campus where Groucho has been named the new president of Huxley College.  The first problem is beating rival Darwin College in their traditional football matchup.  Groucho attempts to hire two burley ringers to suit up for Huxley, but Darwin has already paid for their services, leaving Huxley to accidentally pay for two idiots (Chico and Harpo) thinking they are the actual ringers.

There’s a sexy college widow and good times in a speakeasy with secret passwords and card games.  There’s the usual piano playing with Chico, crooning with Zeppo, and silent slapstick with Harpo, and suggestive innuendo with Groucho.  I was raised on this stuff every Sunday up in the New York area right after Abbott and Costello, which was right after The Bowery Boys.  Those were good times, and I’ll never let them go.  Please give it a peek.

Favorite scene – when Groucho teaches about white corpuscles.

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“And don’t think it hasn’t been a little slice of heaven – because it hasn’t.”

- B. Bonny

-30-


The Great Movie Post (5/6) For the Family

November 14, 2012

Time for the family unit to sit and watch things together.  C’mon, you can do it.  Just post a Facebook update that says “BRB” and put down the cell phone for about an hour and a half.

BTW – sorry about the absence.  ran away to Mexico for about a week.

Animation

cartoons, stop motion, CGI, paper dolls

Holiday

Politically correct way of saying “Christmas”

Musical

When people suddenly break out in song and dance without necessarily being gay

Documentary

Really?  Facts?  zzzzzzzzzz

Concert

when a band performs live on stage with cameras rolling

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1.  Toy Story  – 1995  -  Animation

Close 2nd  Anything other than Ponyo

Directed by John Lasseter

Written by John Lasseter and Pete Docter

Linear Bonding Strip by Scotch

Oscar won for Special Technical Achievement, Nominated for Best Musical Score, Best Original Song, Best Original Screenplay.

 A cowboy doll is profoundly threatened and jealous when a new spaceman figure supplants him as top toy in a boy’s room.

 If you’re under 30, it’s not your fault that you might not be able to appreciate the real beauty of Toy Story.  Those under 30 have never really known a life without cable tv, the Internet, and DVD’s or at least VHS.  You don’t remember what it was like to wait for the one day a year when Rudolph the Red-Nosed Reindeer was on TV because if your world, you would pop the disc in any time you wanted.  The same goes for the amazement of Computer Generated Imaging (CGI).  So when Toy Story was released, it was a stunning achievement in film that you just weren’t there for at the right age.  And luckily, that new technology, for which it earned a special Oscar, came with a helluva story.

Toy Story is about one thing:  progress.  Life is progress and full of various little progressions.  We grow up, we learn, we do our best, and we get replaced.  Cut and dry.  Woody (Tom Hanks) has been the everlasting favorite toy of a plain-ass kid named Andy.  But there’s a snappy new toy, a “space ranger,” that every kid wants – Buzz Lightyear (Tim Allen).  He’s got a spacesuit, molded wings, a helmet that pops open and closed, blinking lights, and a “death” ray.  Through no fault or intent of his own, Buzz is slowly replacing Woody as Andy’s favorite toy, but Woody is not just going to roll over and take it.  He shows some sharp jealousy and goes a little too far in trying to preserve his #1 role, and it gets both Woody and Buzz in some trouble.

It’s a film that has to be watched probably five or six times before you can really take in everything that’s packed in.  The perfect CGI replications of classic games and toys, the stand-up wit and barbs traded by Hamm (John Ratzenberger) and Potato Head (Don Rickles), and the way most of the toys act with such an acute awareness of who and where they are.  Jaws was once my most-watched film, but Toy Story is slowly replacing it.

Favorite scene:  The toys’ reactions when the party guests arrive.

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2.  It’s a Wonderful Life – 1946  -  Holiday

Close 2nd  Elf  (sorry to fans of A Christmas Story)

Directed by Frank Capra

Written by Frances Goodrich, Albert Hackett, and others

Petals by Zuzu

Oscar nominated for Best Actor, Director, Picture, Film Editing, and Sound Recording.

 An angel helps a compassionate but despairingly frustrated businessman by showing what life would have been like if he never existed.

I began this series of posts with one criteria – films that you’ll love enough that you’ll watch them until the end if you land in the middle while channel surfing.  None matches that more than this one for me because it’s just not possible for me to not watch the rest, even if it’s more than halfway through.  It represents the greatest possible self sacrifice for the best possible reasons:  family, community, and country.

George Bailey has – I mean “had” – big dreams.  World travel, be an architect, lasso the moon, and then some crazy stuff too.  He had loving, accommodating parents with idealistic approach to encourage him.  His father ran a ragtag financial group called the Bedford Falls Building and Loan that allowed those of uneasy means to put a roof over their heads and live their American Dream.  George was on the doorstep to the beginning of it all when tragedy struck, and his supportive father was taken away.  It left George with two options.  He could begin his life of greatness that he’d planned, or he could stay home and take over the Building and Loan.  It doesn’t take any brains to know that George gave up of himself for others, but it’s a matter of how.

I had probably seen It’s a Wonderful Life roughly five times before I had actually seen it from the very beginning.  So, just in case, I’ll review it.  George, facing great embarrassment that you’ll learn about when you watch it for the first time, attempts suicide.  He’s interrupted by an angel who pulls him out of the icy river into which he’s jumped.  After Clarence, the angel, hears George wish he’d never been born, he gives George the most amazing bitter-sweet gift – to see what life would have been like without him.  That’s the guts of the film, and that’s what will pull your guts loose and make you want to watch it over and over again, as I have for about 20 years.  Just don’t watch the Ted Turner colorized version.  Eww.

Favorite scene:  The short montage of how George kept Bedford Falls secure during the war.

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3.  The Wizard of Oz – 1939  -  Musical

Close 2nd  West Side Story

Directed by Victor Fleming

Adapted from a story by L. Frank Baum

Flying Monkeys by Bernie Darwin

Oscars won for Best Score and Best Original Song, nominated for Best Picture, Art Direction, Color Cinematography, and Special Effects.

 Dorothy Gale is swept away to a magical land in a tornado and embarks on a quest to see the Wizard who can help her return home.

I was browsing the daily itinerary of the activities on a cruise ship a few years ago and saw two interesting things scattered amongst the snorkeling and kayaking excursions.  One was called “Friends of Bill W.” which I knew was sort of a code name for Alcoholics Anonymous.  The other was called “Friends of Dorothy,” but I was unaware of its decoding.  As I glanced through the karaoke and dance club times, I kept thinking about “Friends of Dorothy” and slowly pieced it together.  In case you didn’t know, a large percentage of gay men have a great affinity for Dorothy Gale from The Wizard of Oz.  I’m not completely sure of why Dorothy is so beloved by the Gay community.  Maybe it’s the voice of Judy Garland, or maybe it’s just the dress and shoes.  Or maybe it’s about someone who is trying to just go home to the family she loves and misses after having tried to run away from home.  Then, when a tornado is coming, she instead attempts to return to her family, only to find herself tossed skyward while inside their farmhouse.  Said farmhouse then falls back to earth, only to land on and kill a witch.  Oh, but Dorothy isn’t satisfied there and immediately embarks on a journey to kill the witch’s sister.

Of course I’m exaggerating, but I’m allowed and you can’t stop me, so “nyah.”  (universal sound of sticking out tongue in order to mock someone).  There’s nothing I can say about The Wizard of Oz that you don’t already know so I won’t bore you with any story or plot details.  Instead, I’ll just leave you with a few interesting pieces.  You’ve likely heard the story that if you start the Pink Floyd album Dark Side of the Moon at exactly the same time you see the lion roar inside the MGM logo, there will be some very interesting film and song moments that coincide.  That might also be true with almost any movie and almost any album, but it’s only a stupid myth created by someone who smoked a whole lotta pot.  Also, at roughly 101 minutes into the film you’ll see the Dorothy, the lion, the scarecrow, and the Tinman prancing up the yellow brick road, and off to the left on the horizon is what appears to be a man hanging himself.  One legend says it was a stagehand, a maintenance worker, who was unhappy about something.  Another said it was a depressed munchkin who was dumped by another little person.  The truth is that many stagehands were unhappy.  Also true is that the shadow of a dead man is really just the silhouette of a poorly-drawn tree on a back drop.  If anyone tells you differently, tell them to move to Kansas.

Favorite scene – When the Wizard gives the Scarecrow his gift of a brain, which prompts Scarecrow to inaccurately explain the properties of an isosceles triangle.

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4.   Bowling for Columbine – 2004  -  Documentary

Close 2nd  Fahrenheit 9/11

Directed by Michael Moore

Written by Michael Moore

Bullets formerly by K-Mart

Oscar for Best Documentary

 Filmmaker Michael Moore explores the roots of America’s predilection for gun violence.

 America – we got issues.  Violent issues.  We’ve got this paranoia that someone’s out to get us, so we carry guns.  And since so many people are carrying guns, then there are many people potentially ready to “get us.”  It’s like a perpetual motion machine or an unhealthy cycle.  It’s a logistical and deadly “chicken or the egg” conundrum.  In Michael Moore’s mega-award (everything other than an Oscar) winning documentary, it seems our Wild West never went away.  It just grew so big that it’s everywhere.  It’s like living on an island.  It’s only an island when you look at it from the water.  So the American Island is entirely the Wild West.  Yeah, that was dumb.

Anyway, the movie is basically nice different ways to prove that we have too many guns and too many violent, angry people.  And it asks the question, “What were we doing before the violence kicked in?”  We weren’t born this way, so what triggered it?  As the title suggests, maybe we were just bowling, doing something nice and fun, and then one day – snap.  The “bowling” refers to Eric Harris and Dylan Klebold, the two students who murdered 12 other students and one teacher while injuring 72 others before turning their guns on themselves (like all cowards do) on April 20, 1999, at Columbine High School, not far from Denver, Colorado.  A students interviewed in the film was asked if she knew them and said they seemed like any other kid and remembered one of them being on the bowling team, just looking like a regular kid.  I guess at some point we all look like regular kids, but some of us have things happen, and some of us deal with those things differently than others.

Bowling for Columbine doesn’t entirely blame the gun industry, also pointing fingers at the media, the National Rifle Association, and Hollywood.  In one “funny” segment, he shows a bank that gives away rifles for opening new accounts, then proudly walks out with one.  And there’s a touching segment involving a boy who’s life was drastically altered in a shooting that involved bullets bought at a local K-Mart.  Until this movie, I would never have guessed K-Mart sold weapons of personal destruction.  Then I went to my local store to see for myself that it’s true.  Very disappointing.

Favorite scene:  Opening doors in Canada.

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5.   Let It Be– 1970  Concert

Close 2nd  Woodstock

Directed by Michael Lindsay-Hogg

Written by Lennon, McCartney, Harrison, and Starr

Oscar won for Best Music/Original Score.

 The filmed account of the Beatles’ attempt to recapture their old group spirit by making a back to basics album, which instead drove them further apart.

 I don’t care that the Rolling Stones call themselves “the world’s greatest rock and roll band.”  That’s just a trademark phrase that they themselves adopted.  It’s like giving yourself your own nickname, calling yourself Rocky or something.  It’s wrong and doesn’t work because it’s phony.  As for who is or isn’t or has been the world’s greatest rock and roll band, it should lie with whoever can define more than just an era of music but beyond music into culture in its entirety.  That’s the Beatles, not the Rolling Stones.  The Stones did one type of music – theirs.  The Beatles did everyone’s music.

After rising from nothing and creating everything, with a little borrowing from Motown and Elvis, they then should have fallen.  Instead, they reinvented.  No, they evolved with the decades instead of just doing one type of music, as the Stones did and still do.  The Stones became a mockery of themselves, just as Aerosmith has, in a way.  Instead, the Beatles looked around, saw the world, jumped in, and came out the other side.  Then it was time for them to fall again, and they dug their claws in, unwilling to let go.  Let it Be was the result of what happened when they would either pull back up or fall.  Thus, the title Let it Be.  The film does the near impossible, capture a moment in history, but artistic history, not military or political history.  It captures a moment when there was greatest that slipped away.  The creators of that greatness all paused to look back and see where they had gone wrong.  They backtracked with goodwill to try again.

It’s hard to encourage someone without an appreciation of the Beatles to want to see this movie.  All I can say is that if you were able to sit and watch it, you’d walk away with the appreciation that you don’t have now.

Favorite scene:  The Rooftop?

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Up next, the conclusion  ”The Wild Cards”


The Great Movie Post (1/6) – For the Adrenaline

October 26, 2012

There will be six of these, each containing about five films.

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 1. Raiders of the Lost Ark – 1981  (Action/Adventure)

Close 2ndDeliverance

Directed by Stephen Spielberg

Written by Lawrence Kasdan and George Lucas

Desert dust by Tunisia

Oscars won for best art/set decoration, visual effects, film editing, and sound

 “Archeologist and adventurer Indiana Jones is hired by the US government to find the Ark of the Covenant before the Nazis.”  (IMDB)

 You can’t have a cooler name than Indiana Jones, no matter how hard you try.  “Indy” is as throwback as you can get.  No lasers, blasters, or spy cars.  He’s got a gun he uses sparingly, a whip he uses expertly, and a hat he dons perfectly.  He’s a college professor by day and a horse-riding, cave-exploring, code-cracking, tomb-raiding, bomb-making, wall-breaking, Nazi-hating adventurer by, um, by summer vacation.  He’s got more brain than brawn, but he’s still got brawn.  So when the Feds want his help to figure out what Hitler’s about to do next, he trades the plaid bow tie for the desert boots before hopping the next plane around the world.  And the sequels – except for the most recent – pretty much live up to the original.

The opening action sequence is as good as any of the traditional opening action sequences of any James Bond film – except Casino Royale.  The Raiders sequence goes a step further than most because it’s intellectual and suspenseful and not just physical, as are the Bond openings.  With Bond, it’s run, shoot, run, drive, shoot, drive, shoot, run, shoot, fly, shoot, etc.  With Raiders, you have to mix “think” in there a few times too, but not “drive.”

Interesting note –Stephen Spielberg and George Lucas had a rough time trying to cast the role of Indiana Jones and were close to settling for Tom Selleck.  To distract themselves, they took in a movie – Lucas’s most recent Star Wars installment, The Empire Strikes Back.  As soon as Harrison Ford hit the screen, they immediately looked at each other and smiled.  They had found their Indiana Jones.

Favorite scene:  The truck chase through the desert

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2. The Searchers  1956   (Western)

Close 2ndUnforgiven

Directed by John Ford

Written by Frank S. Nugent, from a novel by  Alan LeMay

War Whooping Comanche by Central Casting

 “As a Civil War veteran spends years searching for a young niece captured by Indians, his motivation becomes increasingly questionable.”  (IMDB)

 Back in the 70’s, when Bruce Springsteen released the Darkness on the Edge of Town album, he mentioned The Searchers as being an influence on his life as well as that album.  He referred to the final scene of John Wayne standing in a doorway, and it was echoed in Springsteen’s song “Adam Raised a Cain,” when the speaker of the song is standing in a doorway and afraid to enter a house because he’s not sure what’s going to happen.  He’s done his best, but he just doesn’t feel welcome, like he doesn’t belong.  I had not yet seen The Searchers, but when I did, I immediately understood what I had been missing from those songs.

Ethan Edwards had just returned from a recently ended Civil War, but he’s not the same as he was when he left.  He was a leader who understood that sometimes war drives men to do things differently.  And when they do things differently, they’re not the same anymore afterwards.  But sometimes, those ways in which they are different can be helpful.

Ethan fought in ways that were questionable to the rest of the army and the accepted rules of war.  He’s come home to find that his two nieces have been abducted by a Comanche tribe, and he’s not happy.  He’s a soldier, and since he’s rather void of peace at the moment, he’s going to stay in “war” mode and hunt down those Comanche if it’s the last thing he does.  In fact, he doesn’t seem all that worried about whether or not it’s the last thing he does.

Interesting note – it’s a Western, but it’s way more than a Western.  How so?  I have never cried more intensely at any other movie.  But it’s a Western?  Yeah, but it’s also a family drama.  That’s all I’ll say without spoiling anything.

Favorite scene:  When Ethan comes out of the canyon but won’t tell the others what he found.

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3. Harry Potter and the Sorcerer’s Stone – 2001   (Fantasy)

Close 2ndThe Lord of the Rings

Directed by Chris Columbus

Written by J.K. Rowling  (novel), Steve Kloves (screenplay)

Owls by Nature, Inc.

Oscars nominated for best art/set decoration, costume design, and original score.

 “Rescued from the outrageous neglect of his aunt and uncle, a young boy with a great destiny proves his worth while attending Hogwarts School of Witchcraft and Wizardry.”   (IMDB)

 Let’s get this part out of the way – The first Harry Potter movie is not the best.  THE best was The Prisoner of Azkaban.  However, just like most series, you never forget your first.  Watching the boy under the stairs get rescued by Hagrid cannot be duplicated.  Watching Harry wearing the Sorting Hat and wish for Gryffindor cannot happen in any other film but the first.  Seeing all the first-year students going to their common rooms can only happen once as well.  And your, our, their first trip to Hogsmeade Village, the snow falling at Christmas time, just doesn’t happen the same way in subsequent films.

Harry Potter is for nerds, smart kids, loners, the anti-social, the happy, the introverted isolationists, and the freaks.  Or, everybody, especially those who sometimes feel like they don’t fit in.  Or, EVERYBODY.  To watch a disliked outcast who is suddenly the most miraculous savior with special powers is something that pretty much EVERYBODY has dreamed about.  Don’t deny it.  It’s not possible to read all seven books and not feel good about everything, as if someone just put icing and sprinkles on your life and said, “Take a bite, it’s all good.”  Because it is.  And it’s not possible to watch those movies and not wish you were one of those kids with wands and owls and magic and wishing Hermione would reach 18 but keep wearing the schoolgirl outfit.

Favorite scene:  Harry, Ron, and Hermione first meeting on the train.

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 4. Star Wars – 1977   (Science Fiction)

Close 2ndBlade Runner

Directed by George Lucas

Written by George Lucas

Light saber colors by Roy G. Biv

Oscars won for best art/set decoration, visual effects, film editing, sound, costume design, dramatic score, and a special award for sound effects creation.

 “Luke Skywalker, a spirited farm boy, joins rebel forces to save Princess Leia from the evil Darth Vader, and the galaxy from the Empire’s planet-destroying Death Star.”  (IMDB)

 I have heard too many times how 2001: A Space Odyssey is not only the greatest science fiction film of all time but likely the greatest film in general.  I have posed very sincerely that Star Wars, not 2001, is the greatest sci-fi film of all time and have been laughed at.  So here’s my question to those who laugh.  Well, those who have survived after laughing:  Show me the impact that 2001 has had on society and compare that to the impact that Star Wars has had on society.  Both films are at least 35 years old, meaning that most of you out there weren’t born when either was released.

Did you play with toys from 2001 or Star Wars?  Did you have nightmares about Darth Vader or HAL2000?  Do you pretend to fly an X-wing fighter or Discovery One?  Which is cooler hanging off your belt – a light saber or a monolith?  If you’re in a fight, would you prefer to have a blaster or a bone?  Which one has a Death Star?  ‘Nuff said.

Star Wars has a farm boy joining a rebellion against a repressive, dictatorial, all-encompassing evil empire.  2001 had a computer that wouldn’t follow directions.  Star Wars had alien creatures that flew and repaired spaceships.  2001 wasn’t even sure if there were any aliens.

Star Wars became an entire industry, and that doesn’t happen without a movie being great.  Okay, except for Twilight, you got me there, but this is just different.  It’s an entire universe that exists everywhere and nowhere, and apparently in the past, as crazy as that seems.

Interesting note:  if you’ve really seen it too many times, it’s fun to just watch and wonder how they talked Alec Guinness into signing on.

Favorite scene:  Luke and Leia being chased through the Death Star.

_

  5. The Deer Hunter – 1978   (War)

Close 2ndThe Great Escape

Directed by Michael Cimino

Written by Michael Cimino and Deric Washburn

Rats by Rizzo

Oscars won for best picture, director, supporting actor, sound, film editing.

 “An in-depth examination of the way that the Vietnam war affects the lives of people in a small industrial town in the USA.”  (IMDB)

 It’s hard to find two more intense actors than Robert De Niro and Christopher Walken, and it’s even harder to find them both on one film.  The sad beauty of The Deer Hunter is how well it slips back and forth to these friends before, during, and after their tour in Viet Nam.  The film examines a few rather manly, Western Pennsylvania friends who can be seen either hanging in a local bar or driving back from the woods with a buck on the hood of a car.  We see them in life and death situations through the Asian jungle.  And we see how all of that mixes – or doesn’t – when they return home.  If they return home.  If they even recognize home once they return, and if home recognizes them anymore.

There are better movies that focus on war, but there are not better movies that focus on the warriors.  There is not one emotion left on the table.  Director Michael Cimino brings out what I think is De Niro’s best role, and I’ve seen everything he’s done.  Only Raging Bull might be better, but I say no because it didn’t demand the range that comes through in The Deer Hunter.

Favorite scene:  Russian roulette

__________________________

Up next:  For the Dark…


The Great Movie Post – intro

October 25, 2012

This is not a list of the top 10 greatest movies of all time.  This is not a list of films that are so “great” you have to attend lectures and festivals so that someone can explain just how “great” they are.  If a film needs an explanation, can it really be that great?

This is a list of films for everyone – the artsy folks, the blue collars, the white collars, the hipsters, the baby boomers, the semi-retired, the housewives, the kids (in some cases), and even old farts like me.  Invite me over.  I’ll show you just how old I am.

I arrived at this list using three criteria.

  1. I wanted films from as many genre as possible.  I know I didn’t cover everything, but I didn’t want three action/adventure films or three war-related films.  I didn’t want zero comedies, nor did I want too many.  I’m sure I don’t have all genre represented, but I’ve gone over this list so many times that I no longer care.
  2.  I wanted the kind of films that I sometimes find while scanning channels, and find a film halfway through, but I’ll watch the rest of it from wherever I walk in on it.
  3. My educated opinion.  There are plenty of people who know more about movies than I do, but that number is far, far smaller than the number of people who I can outdistance when it comes to film study, knowledge, and education.  Chances are I got you way beat – but not all of you, that’s for sure.  I started studying movies when I was about 8, when my father started ignoring both my mother and me.  We’d sit and watch movies, and I’d learn a few things about the actors and directors.   I don’t regret a moment of it, except that time we watched Same Time, Next Year.  That was awkward.

I was going to have an item #4, which was that no film could have been adapted from a book because I didn’t want any of the filmmakers to have a head start.  However, that would have excluded more than half of the list, including my single favorite, so I trashed item 4.

I chose one film from 25 genre.  I’m sure there are more than I have used, but I only used the ones that I either care about or thought of.  Feel free to point out others that did not come to mind.  The 25 genre are broken into five categories, so I’ll tackle five films in each post because I know it can get annoying to read too much about one thing at one time.  I know you have other things to do, and reading blog posts is not chief among them, even if it’s mine.

These aren’t the movies – just the genre.  I know, right?

A. For the Adrenaline

Way better song than movie.

1. Action/adventure

When the action takes place in out of the ordinary locations and, with a great stretch of imagination, could actually happen, unlike science fiction

2. Western

Really?  Horses, guns, Native Americans

3. Fantasy

Action/adventure but in a fantastical, unreal world with magical things

4. Science fiction

sort of like action/adventure but with futuristic gadgets, alien creatures, mixed with a basis of science

5. War

with uniforms and countries and really big guns, likely planes too

B. For the Dark

considered by many to be the worst film ever

6. Suspense – creature

unlike the psychological suspense, with people being chased by something

7. Horror-paranormal

scary crap involving ghost, demons, etc.

8. Horror-bloody

also known as “slasher”

9. Psychological/suspense

the ones that mess with your head and mislead you into thinking shit that you later realize was wrong

10. Erotic thriller

still messing with your head, but with nudity and at least a suggestion of sex

III. For the Individuals

11. Hero

Keanu Reeves as “Hamlet”

when an individual either gains a super power or uses great ability to accomplish something

12. Drama

just the human element of drama, but not the drama queen kind

13. Sports drama

with or without balls

14. Death drama

when a movie pulls us into someone life, and the only way to end the story is with their death

15. Crime

Mobs, gangs, cops, I see dead people.  There goes another one.

D. For the Laughs

love the show “jackass”

16. Romantic comedy

politically correct for “chick flick”

17. Goofball comedy

when stupid people do stupid things and we love it

18. Intellectual comedy

when you really have to listen to the dialogue

19. Intellectually goofball comedy

a combination of goofball moments with witty dialogue mixed in

20. Satirical comedy

when it makes fun of something that we already know about

5. For the Families

everybody love mickey

21. Animation

cartoons, stop motion, CGI, paper dolls

22. Holiday

Politically correct way of saying “Christmas”

23. Musical

when people suddenly break out in song and dance without necessarily being gay

24. Disney

Because there are enough that they deserve their own category

25. Concert

when a band performs live on stage with cameras rolling

what’s in the box?

6.  Guilty Pleasures

This is for the movies I’ve loved that juuuust don’t seem to fit into the regular categories, and with good reason.  They’re not right.  They’re a little – off.  They got issues.  And they rock.

 

The Wild Card

Something that I just couldn’t place above but wanted to mention

At this point, you might have noticed that I’ve got about 800 words and haven’t even mentioned one movie yet.  Sucks, I know, to read that much and now learn you have to wait until the next post just to see the first group.  I’ll hope you’re interested enough to come back for the actual movies.  Feel free to leave your nominations in the comments.  They won’t sway my opinions, but it could start a nice conversation.  Or a fight.

Coming soon:  For the Adrenaline


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